I'm delighted to share some works written on behalf of others. If you care for a special person who needs assistance putting their feelings and stories into writing, I would be honored to help at no charge -- please email me!
On behalf of an older woman:
Too Busy
​
Mom you need to let us know
If you need something
We're right here
​
You ask the kids out of state
The nursing home staff
That's silly
​​
Mom nods diplomatically
Feigns her agreement
Okay dear
​
They can't hear the I love you
Thank you, be free, in
"You're busy"​
Daddy Did You Know
Daddy did you know
I was in the hospital
Internal bleeding
​
Mommy texted you
Called you. Emailed you. Sent a
Social media
​
Bought stamps and
Postal mailed you. Carefully
Texted stepmommy
​
You probably have
New numbers. Emails. Social
Accounts. Addresses.
​
Or mommy dialed wrong
Mistyped. Misspelled. Or maybe
Two miles is too far
​
But I'm back home now
Recovering, awaiting
I'll show you my scar
​
On behalf of a c-section mom:
Welcome
​
Great-grandpa hugs me
Zero come on little baby
Breathe for me
​
I feel so warm so
Loved. One thatta baby come on
Help me out
​
Grandma kisses me
Goodbye, so snuggly so soft so
Proud of me
​
Don't do this to me
Little baby, come on come on
Come on please
​
Will I ever feel
This adored again but they leave
Me instead
​
Three. Atta baby
We got her yeah girl happy birth
Day baby
​
​
On behalf of a hostage:
​
Carrie sat at her small desk in the entry of her small apartment. A few feet away on her left was a TV, which a roommate watched from the sofa. On the other side of the TV, Carrie's other roommate sat at her own small desk doing homework.
Unusually, they were all at home on a Friday night and, for the first time in a long, long while, as they all quietly went about their evening -- separately yet together -- Carrie felt cozy. Content. Roommates doing regular roommate stuff together was not their norm, having been randomly put together a few months ago by a college apartment service. But for two full days now they had been watching the Oklahoma City bombing coverage on TV, stunned by the images of little children and people torn to shreds, and so no one much felt like going out to party or date or even study somewhere else this Friday evening.
​
Turning back to her computer monitor, Carrie pecked out a few more thoughts on her course's latest bildungsroman. Did The Life of Lazarillo de Tormes influence Oliver Twist, or did--
​
"MOVE!" The front door on Carrie's right slammed open and the entry filled floor-to-ceiling, wall-to-wall, physically and energetically, with men. If an enormous hand hadn't grabbed her arm, lifting her up and out of the chair and shoving her ahead of them, their charged momentum would have. In an instant she was stumbling into the living room area, no thoughts in her head, no time to think or react or wonder.
​
"GET OVER THERE!" Hunched over and trying to regain her footing, the man pushed Carrie; she put her hands out to break her fall into the worn tweed sofa. She turned slightly as she collapsed into it, perched sideways on one hip and leaning on her right arm and elbow. Brittany, sitting upright in the middle of the sofa with her feet on the coffee table, wide-eyed and catatonic, didn't even react to her. Carrie could see them now, two basketball player-sized men with handguns and... a woman?
​
One of the men looked around the room and spied Thuy in the corner, who studiously finished writing in her notebook and was just now turning around in her chair to see what the commotion was about. He took two strides past the TV, grabbed her arm and tossed the petite 19-year-old toward the sofa. In two equal strides the other man reached the window by the sofa, looked out, and twisted the blinds shut. The three young women sat haphazardly on the sofa in shock.
​
Five seconds had passed. Five seconds that would cause a lifetime of obsessively locking house doors, screen doors, sliding doors, garage doors, car doors, pet doors, gates, windows, anything that opened and anything with a latch, regardless of whether someone was coming right back inside.
​
To be continued as we work on this ...
All works on this page © 2025 by Jessie Shaw Thompson are licensed under CC BY-NC-ND 4.0